See the New Stuff

5/10/08: New movie review of Day of the Dead (2008).


5/06/08: New movie review of Iron Man.


5/05/08: New restaurant review of Amata Asian in San Bernardino, CA.


4/27/08: New movie review of The Forbidden Kingdom.


4/27/08: New movie review of Ladyhawke.


4/26/08: New movie review of Death Sentence and In the Name of the King.


Archives for Magazine Writing category

Now that the job-front is looking more secure - actually, it’s kind of dicey right now, but we’ll get to that another time - I’ve been making strides back into the freelance world. I got picked up by Inland Empire Weekly (www.ieweekly.com) and I’m one of the two restaurant reviewers they have on staff. As a writer, one of the basic bits of advice published writers will give you on getting published is: Write what you know. Since I’ve worked in restaurants for several years, both in front and back of the house, it seemed only natural that I start writing reviews. Strangely, it wasn’t the perfect fit I figured it would be when I started out.

Recently, I’ve been getting hits for searches on “how to write restaurant reviews” or “restaurant cover gig advice,” so I figured I’d help my fellow junior restaurant reviewers hit the ground running. Keep in mind, however, that these are not hard-and-fast rules. It will really depend on the publication you’re writing for. Your local regional lifestyle magazine will probably have different standards than Food & Wine.

  1. Lose the Narrative: The purpose of the review is to give the reader a sense of what an average visit - their average visit - will be like. They don’t care about how you’re dressed, your routine or really anything about you. Having come from a creative non-fiction background, I was all too eager to write myself into my restaurant reviews when I first started out. Fortunately, my editor gently, but firmly steered me in the right direction. Since then, you don’t know how many times I’ve come across a restaurant review that barely reviewed the restaurant. That’s not to say a little bit of personal experience or editorializing is going to kill your piece. Just make sure there’s a reason for it.
  2. Temper Your Criticism: Your role as a restaurant reviewer does not give you carte blanche to rip into the establishment. Everyone and every business has “off” nights. Sometimes unforeseeable acts of God get in the way of good service. Line cooks slice their fingers open. Customers bump into servers, spilling trays of food. Sewage systems back up and come exploding out of the floor like a fountain inside the restaurant. (Yes, I’ve seen this happen. I used to work at that restaurant.) Crazy things happen. It would be unfair to lambaste a restaurant on these rare occurrences. A good way to include these events in your review is to focus on how the restaurant handled them. Sometimes, however, bad service is just bad service. If that’s the case, then you should review it as such, but keep it in the professional realm. No one takes outlandish criticisms seriously. For an example of overboard criticisms, read my review of the City Broiler in Chino Hills, CA. This was just written for me, not a publication.
  3. Nuts and Bolts: When I write a review, I try to cover a few basic points that I feel are relevant to any reader who knows nothing about the joint:
    • Surroundings - I like to describe the area around the restaurant - urban, industrial, downtown, etc. - so that people have a general idea of what they’ll see out the window when they eat there. Plus, it’s always good to know if your car will be where you parked it when you come out.
    • Atmosphere - I do my best to write about the décor. I’m no interior designer, so my vocabulary is a bit limited in this regard, but I think it passes. It’s nice to know if the restaurant is geared for romantic dinners or for family fun. Also, giving the reader a feel for the general floor plan helps them decide on party sizes.
    • Menu - Since you obviously can’t reprint all the food offerings in your review, tell the reader what he/she can expect to order. Cover the major groups: poultry, fish, steak, pork, pasta, vegetarian dishes, etc. This is a good place to discuss the wine list (if there is one) and give the price range for the restaurant.
    • Service - I think for most people eating out at most places, service accounts for at least half of the reason for eating there in the first place. If you’ve never worked in a restaurant, sometimes it’s hard to know what good service is. Typically, you can get by with just covering speed, presentation and demeanor. There’s more to a server’s job than that, of course - enough to fill a book - but most people don’t care about anything beyond those three things.
    • Exclusives - I try to mention the things that make the restaurant different from others, like special events, cooking classes, hosted dinners, live entertainment, whatever it is.
  4. Ask Questions: Your server is a wealth of knowledge about the restaurant (or at least they’re supposed to be), so don’t be bashful in pumping him/her for information. Also, if appropriate, have the Chef come out and tell you a little about him/her.
  5. Expert Opinions - Eating alone sucks, so I recommend bringing a guest. Friends are fine, but I suggest bringing someone who complements your expertise. Since my food and wine knowledge is spotty in parts, I like to bring my friend who’s an Executive Chef to fill in the blanks. I know that most of you aren’t going to have access to this kind of resource. To that, I say get out there and start networking.
  6. Experience the Courses - If you’re a serious writer, then due diligence demands you sample every course - appetizers, soups/salads, entrée and dessert.
  7. Collateral - Depending on the kind of restaurant, try to snag as much literature from them as possible. Take home menus, press kits, fliers; anything that you might need to review later while you’re writing. There’s nothing worse than being under a virgin-tight deadline and forgetting the name of what you ate and not having something to reference.
  8. Revealing Your Reviewer Status - I have mixed feelings about this issue. On one hand, if you eat at someplace under the guise of an average patron, you get to see what average service is like and you can write a more accurate review. On the other hand, if you prepare the restaurant and tell them that you’re reviewing them, they have a chance to put together a press kit for you and you’re that much more prepared to write a comprehensive review. If you’re just starting out, chances are that the publication you’re writing for isn’t covering your tab. Heck, they may not even be paying you at all. In which case, you may want to give the restaurant a heads up on your review. More often than not, you’ll get a portion of your bill comped. For my part, I like springing my reviewer status on them after I’ve paid the bill. It’s fun to see General Managers falling over themselves to boost my opinion, but having no recourse since I’ve already signed the credit card chit.

Alright, fellow reviewers! That’s all I have for one night. I hope at least a few of these pointers will help. Now get out there and write some good reviews. :)

MNZ logo

Life as a freelance writer is easily summed up in one word: temporary. One day a publication may need you to write movie reviews, the next day restaurant reviews. The day after that, they may not need you at all. That’s why you have to keep moving and keep scrounging for more work. It’s like being a shark. If you stop, you die. In this case, your writing career dies and you’re relegated to day job hell.

Anyway, when you’re first starting out, you’ll end up writing for anyone who’ll print your work. Unfortunately, the kind of publications that hire no-name writers are typically new, fly-by-night affairs that don’t pay. It’s important not to get too invested in these kinds of publications, because they rarely make it. You should be doubly wary of E-zines or Webzines, since you’ll essentially lose your tear sheet if the site goes down permanently.

Which brings us to tonight’s story. A while back I found a publication through MySpace called MNZ Magazine. They looked like a low-rent FHM or Maxim, focusing on kitschy nonsense and hiring shapely models: male thinking in a nutshell. In fact, I don’t think MNZ stood for anything. I think the MNZ was actually pronounced “menz.” Anyway, they were looking for movie reviews and I saw this as a great opportunity to get on some studio invites to film screeners. I got myself added to the Warner Bros. list for the 300 screening as well as the invite list of an LA PR firm that handles most movie events out there. I was stoked because MNZ agreed to print my reviews and now I’d be seeing the latest movie releases before everyone else.

Well, to make a long story short, after I turned in my reviews, MNZ stopped communicating with me. Furthermore, they didn’t publish my reviews. Even worse, they printed their resident movie buff schmuck’s reviews instead of mine. And this guy was horrible. His reviews barely covered the movie at all. His review of 300 went so far as to say something like, “You’ll see this movie anyway so I won’t bother telling you about it.” Ridiculous, right?

After repeated unanswered emails, I said screw it and just wrote them off. That was a year ago. Out of curiosity, I swung by their home page recently. Apparently, the site’s gone and is now being squatted on by some porn site (the model on the landing page is quite alluring). The MNZ MySpace is no longer being updated as of September of this year. Looks like another publication in a long line of crappy publications has bit the dust.

And the world is better for it.

 

About the Author

René Garcia, Jr. is a professional writer living and working in Southern California. He has been published in a handful of regional and national publications, including bello, Valley Scene, Inland Empire Weekly and 944 (Orange County). René is currently the copywriter for Cal Spas in Pomona, Calif. In his spare time, he maintains this site. It contains his published, college and personal work. Enjoy your stay and come back often.

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